Bill frisell all we saying free download




















Some of the band's most soulful playing comes on "Beautiful Boy" And things get powerfully ethereal on the closing track, "Give Peace a Chance," which gave the album its title phrase and, one suspects, its implicit agenda. Frisell and band render their material not through jazz improv but with warm and loosely intertwining string textures that swarm and tumble, moving deftly through jangly joy, inky fear and slowcore declamation. What a legacy Lennon left us. How lucky we are to have Frisell to tell us about it.

This is obviously a heartfelt endeavour, a homage to the man and group who inspired him to get into music in a big way in , after getting his feet wet on the Ventures. His band — Jenny Scheinman on violin, Greg Leisz on guitars, Tony Scherr on bass and Kenny Wollesen on drums — brings as much sensitivity to the anthems as the love songs, and no less twang.

Choosing material from Beatles and post-Beatles periods, Frisell shows uncanny empathy for the yearning of the family songs as well as the cosmic ones. The many-splendored strings of the ensemble - pedal steel, violin, acoustic and electric guitar, bass tumble and flow as if only breathing, rather than paying close attention to nuance, which they certainly are. In places, the players seem to be having more fun grooving than making sure something fascinating is happening, but those moments are short.

Overall, this is lovely stuff. Though there is little jazz improvisation, the real improv here is in the subtly shifting timbre of the ensemble. What luxury to be awash in so many Frisell recordings, especially as he's tapped such rich musical veins of late. In contrast to the complex intimacies of his recent Quartet release, All We Are Saying is a love song to one of Frisell's all time heroes, John Lennon.

The quintet play the songs with little adornment, allowing those unforgettable tunes to ring through. There's an elegiac 'Beautiful Boy', a swoonful 'Julia' but the album is no exercise in nostalgia. For Frisell, Lennon is a living artist, his ambiguities and soul searching, let alone ethical struggles partly reflected in the guitarist's own constant questing. So 'Revolution' crackles and sparks, 'Come Together' is decidedly eerie and the darkness of 'Mother' isn't avoided.

It goes without saying that Bill Frisell—one of the most imaginative and versatile jazz guitarists of the past three decades—would not approach an album of John Lennon interpretations in the same way that anyone else would. From the band who plays a song note for note with all the imagination of an accountant, to the performer who absolutely wrecks a classic by making it sound kitschy, the world is littered with songs that have been given something less than the royal treatment.

But when placed in the hands of legendary maverick guitarist Bill Frisell, an album full of such John Lennon songs is engaging because the tracks become lyric-less re-imaginings rather than bland retreads or ridiculous send-ups. Frisell is his usual spacey self with his guitar work, letting the chords linger in dreamy, somewhat off-kilter ways. A lesser talent might have been too careful. Sexy Trippy All Moods. Drinking Hanging Out In Love.

Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. All We Are Saying Review by Thom Jurek. Track Listing. Across the Universe. Nowhere Man.

John Lennon. Please, Please Me. Hold On. In My Life. Come Together. Number 9 Dream. Beautiful Boy. Give Peace a Chance. Release Date September 27, Bill Frisell. Spotify Amazon. Imagine John Lennon. Hold On John Lennon.



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